| A Few Press Remarks |
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| Edmonton Journal 4th June 2004 (Canada) |
‘----she has become an ambassador of Odissi dance around the world. She now teaches and contributes to prestigious international cultural forums, in addition to performing” |
| Northan India Patrika /Sunday Magazine (March 30th 2008 ) |
“The 3 days dance festival staged by Doverlane Music Conference………..Sanchita Bhattacharya’s Odissi dance was one of the winsome performance of the festival… Sanchita’s pallavi based on Mahari form reminded one of the roll of devotion in temple dance with balanced union of flawless rhythmof Ektail, replete with amazing poise and grace…..Sanchita’s interpretation of the delicacy of Lassya, romantic gesture, made one feel, that her body was singing with the tune of unreserved surrender to the Lord of the universe. No less attractive was her demonstration of Navadurga.Here she Blazes forth with invigorating force. |
| The Tribune 4th Aug. 02(India) |
“Embodying grace, subtlety and vitality, the danseuse, led the audience through a spiritual path……With absolute devotion in each item, Sanchita managed applause every now and then” |
| Woodstock Times, (New York Times) 4th April, New York (USA) |
| “Sanchita’s intricate footwork and expressive evocative style have brought her accolades; her dance has been described as perfection” |
| The Telegraph 7th Oct 2005 |
“Sanchita Bhattacharya revealed the ecstasy of rhythm in her pure dance number Yugmadwanda, …. Bhattacharya excelled in abhinay…” |
| Nartanam June’ 08 |
“ Next to her adroit demonstration of “ Ahe Nilo Sailo” highlighting the piercing pain of the poet by ‘abhinayang ’ and allied body language Sanchita exhibited her mastery of Odissi technique. Completely different was Jayadevas ‘Kanto Komol Pada’ where she took innovative liberty to depict the intricacy of ‘lasya’ in romantic vein. |
| Femina 1st Jan 2003 |
| “ ….Odissi dance exponent , Sanchita Bhattacharya , who has lately been wooing audience across the globe with her performance” |
| Times of India year 2000(Bombay Times) |
The graceful yet powerful movements sensitively combined with expressions give her performance a fine traditional touch. Abhinay being the strongest point aspect of her performance, makes it captivating and breathtaking” |
| Yellow Springs News 23 Oct. 03 (Ohio- USA) |
| “It was a miracle that she(Sanchita )came to Yellow springs” |
| Saptahik Bartaman(8th January 05)(translation) |
Sculpturosque postures of tribhanga, intricate footwork,Chowka,cheer, lakhi,natabari and baitha,this six differtent stages of geometrical stances were depicted with outstanding skill ,beauty and perfection |
| The Statesman 14th Feb. 03(India) |
| “The abhinay charged with emotions where she enacted Draupadi, Duryadhan, Dushasan, Yudhisteir and Krishna brought each character alive. Durga was the climax” |
| Dainik Bhaskar 12th march 04(India)(translation) |
“Odissi Danseuse Sanchita Bhattacharya’s oozed devotion and “sringer “(aesthetic beauty and love) mesmerizing the connoisseur audience.--- in her pallavi (pure dance) the postures, chouk(basic stance), hand gestures, attractive presentation, eye neck and torso movements everything was perfectly balanced and brought out ultimate grace”(translation from Hindi version) |
| Amar Ujalla 17thDec.02(India)(translation) |
“Sanchita Bhattacharya had emotions expressions and movements and postures, which make the full episode of Dasavartar, come alive to the audience”(translation from Hindi version) |
| Aajkal 13th march 02(translation) |
| Her graceful postures, ultimate devotion, and powerful depiction of characters make the audience spellbound |
